The Rats are Coming! The Werewolves are Here!
Plot:
A dull
Scott with a magical part-time accent marries into a family of crazy people.
They’re werewolves, of an extremely lame variety, as the title proclaims. Also
there are rats, but they don’t really do anything.
I need a new hobby.
Comments:
There are a few movies in existence so unique they change the way you view not only the craft of filmmaking itself, but the entire world.
This was the last film I rented from the magnificent Simmons
Bros. Motion Picture Company, and will forever be so. (Yeesh, it's almost as
if the entire place was just bait to pass this gypsy's curse of a movie on to
me.) Upon returning 'Rats' I learned that the greatest video store to ever exist
has become a casualty of a terrible economy and perhaps more directly, a near
total lack of interest from the fine upstanding methamphetamine enthusiast that
call New Bedford home.
God, I hate this city.
And yet, some things are to be even more reviled. Take for example the career of
the late Andy Milligan, a cannon consisting of sleazy gay porn, sleazier
straight
porn, and the type of boring, insipid "exploitation" that can only be
crafted by the absolute dullest of minds. Andy's original plan was to film
'Rats' as a simple (as in, one assumes, short-bus simple) tale of a family full
of werewolves. Being a particularly talentless breed of perverted idiot,
Milligan's initial script came up short of the standard 90 minutes, and thus a
meaningless narrative cul-de-sac about a disfigured Irish drunk (Gee, thanks for
that Andy.) and his man-eating rats was grafted into the production like a
necrotic third leg. So what we have is a script that was aimlessly padded, in
order to get to the parts with more padding. The resulting lump thus consists of
97% 'two people talking interminably in a brown room', occasionally dotted by
bits of extreme distaste. This is your review; this film is about nothing.
Nothing happens in it which is not insulting; not a line is spoken that is
not babble, not a scene is shot which is not crap-colored and galumphing, not a character
is written that is believable, not a bit of it is more enjoyable than a poke in
the eye. There you go folks, I can't write an in-depth study of an empty chamber
pot.
Now, the immediate and cliché reflex to a film like 'Rats' would be to lump it into the Ed Woodian 'so bad it's good' category. Such a proposal is so blasphemous it would likely cause Eddy's shade to rise from the dead and strangle the offending rapscallion. This film is so jaw-droppingly moronic, circuitously repetitive, and sore-headedly nasty it is more akin to the madding prophetic reels presented by Nyarlathotep than another simple drive-in cheapy. To illustrate this point, a short list detailing my reactions while viewing this film;
5 minutes in; Jammed my fingers into window fan, did
not realize I was doing this.
14 minutes in; Dropped a small knife from arm's length point first onto my
sternum. Again, don't know how or why.
24 minutes; Opportunities for subconscious-induced suicide exhausted,
uncontrollable laughter sets in.
27 minutes; Laughter has become mirthless, hysterical.
31 minutes; Dragged from the room, given a cold compress. I return to the breach
only out of sense of duty.
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| Audience Reaction; Artist's Conception |
Thankfully, my maniacal cackling was short-lived. I
was kept from choking to death on my own saliva by the fact that in addition to
being utterly asinine, 'Rats' is probably the skankiest, most off-putting piece
of sh*t I have ever watched. (And once saw the first 20 minutes of 'Ghost Dad'…
in a theater!)
I'm not just referring to scenes where a psychotic girl tortures her simian,
mentally handicapped sibling, nor simply of the palpable aura of misanthropy
that permeates this wretched pustule of a film like cabbage stink on a Boston
St. Patty's day. No, I speak of work so artistically impotent and
philosophically diseased it believes it must resort to the desecration of life
itself in order to raise a shock. Yes, this is one of those films in a
small, shameful fraternity that could appropriately be called animal snuff. In
this case, a live mouse is tied down, burned with hot wax, and decapitated with
a knife.
While the film never again matches this one act of bottomless evil, it is still
content to wallow in the stinking mire it has created, petering out to a climax
where whatever-the-damn-hell her name is betrays her loving husband to his
death, after she's gotten the child she wanted all along from him. (If you felt
that deserved a spoiler warning, go soak your head in ice water. You
don't want to watch this movie! ) Amazing, the film found the one thing
that could actually add to it's unfathomable ass-crapitude; shades of Neil La
Bute.
(Milligan was noted to be a rampant misogynist, in addition to being a hugely
promiscuous S&M freak. He was also arrested for aiding and abetting a
fleeing murderer, and apparently, was a hater of small furry animals. Andy's
last days on earth were exceedingly painful, as he wasted away from aids, and if
I were unconscionably callous, I would be tempted to speak of karma. )
After viewing this pile, and allowing as much of it
as I safely could to sink in. I became fully convinced that I had found worst
film ever made. This is not hyperbole, I have plumbed the depths of 'too bad for
Mst3k' straight to video dreck, and this is to date, the worst piece of crap I
ever bore unfortunate witness to. I promptly went to IMDB (Well, actually the
crying jags came first, but let's condense for pacing.) expecting to find about
as much info on this film as I would a fuzzy reel of Ukrainian foot porn from
the 1940's. (For Dagon's sake, the vhs box art was hand-photocopied!) Imagine my
surprise to learn that not only is this film known to the outside world, but
there is a small, sad group of devotee's of Milligan's work. Of which, this is
considered his… best.
So yes, there a few films so unique they change the way you view everything. I am now afraid to step into a video store ever again.
-7.5!